Wednesday, January 04, 2012

2012... Anniversary / Resolution

Jay Nordlinger likes to point out that orchestral programmers are fond of anniversaries.
Why all this Mahler-ing? This year marks 150 years since his birth, and next year marks 100 years since his death. You get the impression that, without anniversaries, concert programmers would be paralyzed.
This year is the 200th anniversary of Napoleon's invasion of Russia, so I expect we'll be hearing a lot of Tchaikovsky's "1812 Overture".




It's a good year to be in the cannon rental business too.

I'm thinking of celebrating by finally reading War and Peace. Most likely in the Pevear and Volokhonsky translation (fĂȘted in the New Criterion by Eric Ormsby.)

If you'd like something a little shorter than War and Peace, you can celebrate the anniversary by reading this comic strip by Kate Beaton about the fine French cuisine provided to the French Army as it marched on Moscow.

Tuesday, January 03, 2012

Cassian in the New York Times

John Plotz brings the truly great books to the pages of the NY Times Book Review:
If the diagnoses in medieval texts were so psychologically acute, it’s very likely because the most ferocious accusers and denouncers were themselves acedia sufferers. Today, too, it takes an acediac to know acedia. When I read Cassian on “disgust with the cell,” I look around my own office and sigh deeply; and I greet like an old friend the monk whose gaze “rests obsessively on the window” while “with his fantasy he imagines the image of someone who comes to visit him.” Cassian’s description of acedia as mental drift, meanwhile, perfectly encapsulates the pointless and random detours that stop me from bearing down on a particular page: “The mind is constantly whirling from psalm to psalm, . . . tossed about fickle and aimless through the whole body of Scripture.”

Of course, the desert monks were emphatically not us. Stripping their lives down to the bare bones, they sought the divine and fought the demonic alone. What could be more different from us, tap-tapping away with social media always at hand? They gazed upward toward God; we shoot sideways glances at one another while trying to resist the allure of e-mail (nowadays, you can “desert your cell” without shifting from your chair). Still, “excesses meet,” and now that solitary unstructured brainwork has returned with a vengeance, we may be suffering an epidemic of early medieval acedia. Is there anything we can learn from the monks and nuns who came before us?

Monday, January 02, 2012

Let the Marsupial Madness Begin


After this photo of Yo-Yo Ma communing with a wombat blew up on Twitter, Lang Lang is surely trying to get his hands on a kangaroo.

Saturday, December 31, 2011

In Memoriam, [Ring out, wild bells]

Ring out, wild bells, to the wild sky,
   The flying cloud, the frosty light:
   The year is dying in the night;
Ring out, wild bells, and let him die.

Ring out the old, ring in the new,
   Ring, happy bells, across the snow:
   The year is going, let him go;
Ring out the false, ring in the true.

Ring out the grief that saps the mind
   For those that here we see no more;
   Ring out the feud of rich and poor,
Ring in redress to all mankind.

Ring out a slowly dying cause,
   And ancient forms of party strife;
   Ring in the nobler modes of life,
With sweeter manners, purer laws.

Ring out the want, the care, the sin,
   The faithless coldness of the times;
   Ring out, ring out my mournful rhymes
But ring the fuller minstrel in.

Ring out false pride in place and blood,
   The civic slander and the spite;
   Ring in the love of truth and right,
Ring in the common love of good.

Ring out old shapes of foul disease;
   Ring out the narrowing lust of gold;
   Ring out the thousand wars of old,
Ring in the thousand years of peace.

Ring in the valiant man and free,
   The larger heart, the kindlier hand;
   Ring out the darkness of the land,
Ring in the Christ that is to be.

by Lord Alfred Tennyson

Monday, December 26, 2011

Robert's Rules

"Thank you," Anselmo said to her and Robert Jordan realized suddenly that he and the girl were not alone and he realized too that it was hard for him to look at her because it made his voice change so. He was violating the second rule of the two rules for getting on well with people that speak Spanish; give the mean tobacco and leave the women alone; and he realized, very suddenly, that he did not care/ There were so many things that he had not to care about, why should he care about that?
Ernest Hemingway, For Whom the Bell Tolls

Sunday, December 25, 2011

No, Really, Just No

Netflix e-mailed me today to say, "Now is a great time to come back to Netflix." But really, no, just no. We're coming up on new year's resolution time and unlimited streaming Netflix is not the way to meet my "be more productive" goal.

Saturday, November 26, 2011

Fun?

Book Culture's e-mail newsletter says:
Fun Fact: On this day in 1970, prominent Japanese novelist Yukio Mishima committed ritualistic suicide (seppuku) after taking part in an unsuccessful coup.

Tuesday, November 22, 2011

Seamus Heaney at the 92nd St. Y

I was at this wonderful reading earlier this fall:

Friday, November 18, 2011

Legio Patria Nostra

Helen Rittelmeyer writes:
H. W. Crocker III declares the French Foreign Legion one of the ten best thing about Catholicism: “It seems to me that as the product of a Catholic culture, showcasing a Catholic militarism by accepting men of all nations and backgrounds, devoted to one common goal, and by bestowing a sort of secular forgiveness of sins via its traditional offer of anonymity for recruits, it is a good reflection of the Catholic spirit.”
Here's the Choir of the French Foreign Legion singing one of their traditional songs, "Ich hatt einen Kameraden":

Monday, October 31, 2011

Another Bit from the LRB

Another bit from the current (Nov. 3) London Review of Books. This from an essay by James Meek:
"The lightness of the ebook medium, literally and figuratively, holds a terrible allure and an insidious threat to the heavily booked-up among us. How many marriages, seemingly held firm by the impossibility of moving several hundredweight of vinyl or CDs out of a family-sized home, have already foundered post the digitisation of music? How many more will break if apparently inseparable and immovable matrimonial libraries become something that anyone can walk out with in their pocket?"

Sunday, October 30, 2011

Materialism: Then and Now

Mary-Kay Wilmers reviewing Joan Didion's new book Blue Nights in the London Review of Books:
"Three months later he rang Didion and her husband to say he’d just delivered ‘a beautiful baby girl’ to a mother who was unable to keep her: were they interested? After they’d been to the hospital and looked at the baby and made up their minds to have her they called on Dunne’s brother and his wife in Beverly Hills for a celebratory drink (‘only when I read my early fiction, in which someone was always downstairs making a drink and singing “Big noise blew in from Winnetka”, did I realise how much we all drank and how little thought we gave to it’). Lenny, Didion’s sister-in-law, offered to meet her at Saks the next morning to buy a layette (in the 1960s people still talked about ‘layettes’); if she spent 80 dollars Saks would throw in a cot – a ‘bassinette’.
I took the glass and put it down.

I had not considered the need for a bassinette.

I had not considered the need for a layette.
It’s hard to imagine that happening now, when having a baby and having the stuff seem to be inseparable parts of the same enterprise.

Monday, October 03, 2011

For the IMLDB

Another entry for the IMLDB, the Internet Movie Liturgical Database (like the IMFDB mutatis mutandis).  In the 2nd episode of the new TV series Pan Am, from which this screenshot is taken, this is a Catholic Church in 1963 in Paris, France:


Which it's obviously not, but actually Riverside Church in New York City.  They haven't even bothered to dress it to look like a Catholic Church in 1963 (6 candles, sanctuary gates, tabernacle for starters).

Addendum: in the a street scene set in NYC in the first episode, I spotted a Muni Meter, first installed in 1999.

Sunday, October 02, 2011

Homer Nods

The New Yorker is famous for its fact checking "et idem indignor quandoque bonus dormitat Homerus."  Here's Rebecca Mead writing about Daphne Guinness (subscription only) in the September 26, 2011 New Yorker (my emphasis)
[Guinness] often wears a veil: "What's great is tying a bit of net around your face, and everything looks like it's in Super 8. It gives a bit of grain to the world." Even before J.K. Rowling came up with the idea, Guinness dreamed of wearing a cloak that would render her invisible.
What? Anyone over 25 with a bit of D&D in their misspent youth—or anyone who's read some Tolkien—knows that J.K. Rowling didn't invent the cloak of invisibility. Here's a version from Emily Watson's book Fairies of Our Garden
This book was published in 1867.  That's a few years before Rowling could have "c[o]me up with the idea."

Saturday, October 01, 2011

There Is No Mafia

The New York Post reports on some religion news:
“Family” health coverage has proven pretty pricey for one high-level mobster.

The third-ranking member of the Colombo crime family is facing an 18-to-24-month prison stint after pleading guilty yesterday to a shakedown scheme designed to cover another mobster’s medical bills after a stabbing.

Richard Fusco, 75, admitted that he joined in a health-care reform “sit-down” of Colombo leaders.

At the meeting -- which was secretly taped by a mob turncoat -- it was agreed that the Gambino crime family would pay the injured mobster’s bills because a Gambino had done the stabbing.

Most of the $150,000 tab was to come from the Gambinos’ illegally skimmed cut of proceeds from the annual Figli di Santa Rosalia celebration on 18th Avenue in Brooklyn, federal prosecutors said.
...
One of the indictments that led to the arrest of more than 120 alleged NY and NJ mobsters last January has more details on the alleged mob involvement.
81. It was a part of the scheme that, on or about May 27, 2010, a “Preliminary Income Summary Statement” was submitted on behalf of the Figli di Santa Rosalia, in which the defendant ANGELO SPATA falsely stated that the estimated gross income from vendors’ fees at the 2010 Feast of Santa Rosalia (“Gross Income”) was $51,000, and thus the estimated payment to the City of New York, at 20 percent of the Gross Income, was $10,200, significantly understating the estimated gross income and the estimated payment due. It was a further part of the scheme that following the 2010 Feast of Santa Rosalia, a “Final Income Summary Sheet” was submitted on behalf of Figli di Santa Rosalia, in which a conspirator falsely stated that the Gross Income was $43,000 and the total payment to the City of New York was $8,600, significantly understating the actual Gross Income and the total payment due.
The annual festival didn't happen this year.

Friday, September 23, 2011

Anything New Under the Turtle Bay Sun?

I first read poet and novelist May Sarton's memoir Plant Dreaming Deep back in 2003.  I've reread it a couple of times since then.  It's so good that it's perhaps more accurate to describe Sarton as "memoirist, poet, and novelist".  Sarton describes here move to Nelson, N.H., near where I lived as a child and the people she met there and the life they lived starting in 1958.

Wednesday, I started reading a later book of hers, The House By the Sea, which recounts the period from November 13, 1974 to August 17, 1976, after she left Nelson and moved to the Maine seacoast.

It is interesting that I started reading it in this week, when Mahmoud Abbas goes to the United Nations to request full membership in that body for a Palestinian State, for November 13, 1974 is the date of Yasser Arafat's famous address to the U.N. General Assembly.  This goes unrecorded in Sarton's journal on the day it occurs, but she brings it up in her December 5th entry. This excerpt starts with Sarton and then quotes at length from an article in the New Statesman, which apparently occasioned the reflection:
I have a leaden feeling when I wake up and need to shake myself awake like a dog. But the lead is in my mind, of course. It is not only the coming on of winter, but the coming on of old age that I shore up against these days. At all ages we are learning how precarious life is, as it slowly penetrates consciousness that we live in a dying civilization. It was dreadfully borne in on me when the UN allowed Arafat, a holster showing under his shirt, to speak, and so sanctified the most brutal terrorist organization in the world. At that moment something went out of us all in the West. Trust that the generality of nations would stand, at least theoretically, for justice under law? "The Age of Terror," Paul Johnson calls this one in the New Statesman (November 29) Now the truth is out after The Age of Anxiety when we felt vaguely uncomfortable and alarmed. Now the the truth is out—there is no court of higher appeal, no public generality to express revolt. We are all in the same boat and the boat is commanded by thugs. Johnson says,
"Here we come to the essence of the argument. No state throughout history has had completely clean hands. What marks the progress of civilization is the systematic recognition of laws, the identification and punishment of crime, and the reprobation of the offender. A civilized society is one which sees evil in itself and provides means to eliminate it, where the voice of conscience is active. the horrific record of Britain's indiscriminate bombing of Germany is in part redeemed by the protests of Bishop bell of Chichester. The brutalization of Vietnam by the United States is balanced by the critical millions who eventually brought it to an end. We need not despair at the devastating events of our times so long as we retain the ability to distinguish between right and wrong, between law and disorder, between justice and crime, and proclaim these distinctions from the roof-tops.

"The tragedy of the U.N. is that the distinctions have been first blurred, then wholly abandoned; and that its judgements are now delivered not according to any recognized set of principles, however inadequate, but solely in response to the pressures of political and racial groupings. Racialism is condemned in South Africa but applauded in Uganda; and the fruits of aggression are denied or blessed according to the race and political leanings of those to whom they accrue. Thus the UN has become a kind of kangaroo court; far from protecting international order, it undermines it. Not even the wretched League of Nations gave a welcome and a platform to Hitler."
It is possible, I suppose that we are returning to a Dark Age. What is frightening is that violence is not only represented by nations, but everywhere walks among us freely. One might even make a distinction between terrorism for an ideal or a dream such as the PLO and that which we condone here at home, violence for no reason, as a game or a way of snatching a few dollars. Are we in the West on the way out partly because we have provided our people with almost everything except an ideal.
Now there's plenty here to disagree with. The Whig View of History for a start, which plays out in the idea that the West doesn't have an ideal to propose—a consequence of believing Whiggishly that the ideals of the past have been surpassed and discredited. But there's plently to reflect on profitably as well, I think on the day that the Palestinian Leader again goes before the U.N. General Assembly.

Thursday, September 22, 2011

Potok Compares Himself To...

Chaim Potok describes his relationship to "Catholic" writers in a 1981 interview with S. Lillian Kremer collected in Conversations with Chaim Potok (edited by Daniel Walden)
Potok: ... Interestingly enough, I feel closer to someone like Joyce [than Roth] who really did, in terms of models, precisely what I'm trying to do. Joyce was right at the heart of the Catholic world and at the same time at the heart of western secular humanism. And this confrontation, both as an artist and as a human being in the twentieth century was a core-to-core confrontation. As a human being, he fused his Catholicism with his secularism and produced a Catholic-secular way of writing, if such a thing is possible. His epiphanies, his sacrament of language, the way he structures and sees things are all Catholic, Jesuitical, and he went the secular route through his Catholicism. That didn't happen to me. I stayed inside the Jewish tradition and took the secular into it. He took the Catholic into secularism and I took the secular into Judaism.

Kremer: Do you feel a similar kind of kinship to Flannery O'Connor?

Potok: To O'Connor, and interestingly enough, in no small measure, to Greene, who grapples with the problem of evil in a strange Catholicism. There are models, in this century, for what it is I'm trying to do with my work, but they aren't people like Roth.

Monday, September 19, 2011

Cerealism

WKCR (89.9 FM) at Columbia University has a clever name for their morning classical music program, "Cereal Music"
An eclectic mix of music, spanning the Baroque, Classical, Romantic, and Modern periods. Tune in to hear such composers as Bach, Shostakovich, Bartok, Stravinsky, Schubert, Janacek, Carter, Schoenberg, Haydn, Hindemith, Debussy, Part, Boulez, and many others. From time to time, we present entire shows focusing on everything from 19th century lieder to 20th century string quartets, from Bach's cantatas to Scriabin's piano works, from the American art song to modern Russian masters.
They are, of course, punning on "Serialism."

For related sounded offbeat radio programs: KBOO's Celebration of Dada and Surrealism.

Meanwhile, artist Michael Albert creates collages out of cereal boxes. He calls it... wait for it... “cerealism.”

Sunday, September 18, 2011

The Power of Photographs


Sid Grossman (American, 1913–1955).
Mulberry Street, 1948.Gelatin silver print;
33.7 x 26.5 cm (13 1/4 x 10 7/16 in.). 
The Metropolitan Museum of Art, New York,
Purchase, The Horace W. Goldsmith Foundation Gift,
through Joyce and Robert Menschel, 1990 
(1990.1139.2)  www.metmuseum.org
The night and particularly the electrified night are the topic of a show of photographs closing this weekend at the Metropolitan Museum of Art, "Night Vision: Photography After Dark."

Sid Grossman's "Mulberry Street" (at right) is part of the show. It depicts the lights and gates of the San Gennaro Festival in Little Italy (coincidentally in its first of two weekends today and tomorrow).

There's some really fascinating work in the show, but it's appeal is damaged by the installation.  The room is small and dark with a lowish ceiling and dark blue or black walls.  The effect is claustrophobic, even on what was a relatively uncrowded day at the Met.  But furthermore, this unpleasant presentation strikes me as unnecessary.  Shouldn't part of the point of photographs of the night be that they convey the feeling of the experience when you're not actually in a darkened space?

The relative uncrowded condition of the museum today can be attributed partly to the passing of the seasons from Summer into Fall and partly to the Steuben Parade marching up Fifth Avenue, which made getting to the museum more challenging than usual.

Friday, September 16, 2011

Fr. Dougherty's "Marching Song"

I've been looking at some old copies of The Remnant. The February 28, 1995 issue includes Fr. Eugene J. Dougherty's "'Marching Song' for the Traditionalist Movement." It's written for the tune AUSTRIA (MIDI), also known as the tune for the Kaiserhymne and the German national anthem.

It's not the world's greatest rewrite, but it's at least an historical curiosity and perhaps still has some value as a reassurance/examination of conscience for "traditionalists." I've preserved the somewhat idiosyncratic capitalization and punctuation.
"Lord Preserve the Old Tradition

Lord, preserve the Old Tradition: Save the Mass that stills my soul,
Fills my heart with veneration, guards my Faith and makes it whole.
Let the Church not split in schism; Falsehood, heresy prevent.
In they loving arms, enfold us, in the Blessed Sacrament.

Lord, commend me to Thy Mother, trust me to her loving care,
Lest Thy present crucifixion lead me into dark despair.
Send her forth in Apparition, Comforting the penitent.
In they loving arms, enfold us, in the Blessed Sacrament.

Lord, protect the Holy Father, Give him strength to lead his flock.
While the tempest rages o'er us, shelter us upon this Rock.
Make him strong his Church to shepherd, Make our hearts obedient.
In they loving arms, enfold us, in the Blessed Sacrament.

Lord, restore Thy Holy Priesthood; Raise Melchizedek of old.
Offer up the New Oblation, Which his sacrifice foretold,
Changing bread to thine own Boday, Wine to Blood our nourishment.
In they loving arms, enfold us, in the Blessed Sacrament.

Lord, bestow Thy Benediction, Foretaste of Thy Paradise.
Shining forth in Awesome Beauty, Lo the Holy Sacrifice!
Thus restore the Ancient Mystery, Eucharistic Wonderment
In they loving arms, enfold us, in the Blessed Sacrament.

Thursday, September 15, 2011

Prayer to Overcome Sin in One's Life


The following prayer is printed in the Summer 2011 issue of Cum Petro, the newsletter of the Confraternity of St. Peter (previously) in honor of the Feast of St. Peter in Chains (Aug. 1):
O God, who didst break the chains of blessed Peter the Apostle, and didst make him come forth unscathed, loose the bonds of Thy servant, N., held in captivity by the vice of (Name it); and by the merits of the same Apostle, do Thou grant me to be delivered from its tyranny. Remove from my heart all excessive love for sensual pleasures and gratifications, so that living soberly, justly and piously, I may attain to everlasting life with Thee. Amen.
Photo of St. Peter's Chains from Flickr user Alex Beattie under a Creative Commons Attribution 2.0 Generic license.