Tuesday, April 26, 2011

Universalism: Ascendancy or Eclipse?

The New York Times Book Review printed an essay this Sunday by Lauren F. Winner on the controversy surrounding Rob Bell's book Love Wins: A Book About Heaven, Hell, and the Fate of Every Person Who Ever Lived. Bell's been accused of universalism by his critics. I haven't read his book and don't want to comment particularly on that, but on the general issue of universalism in America and its history.

Winner places Bell's work in the context of the American tradition of books about heaven, including an 1869 novel by Massachusetts writer Elizabeth Stuart Phelps "offering a comforting view of the afterlife to women who had lost loved ones in the Civil War" as a bio from the Camelot Project puts it. Winner also cites Mitch Albom’s “Five People You Meet in Heaven,” and books by Don Piper and Todd Burpo.

Winner writes this about the history of universalism:
For all the controversy, this book’s argument has been building for a long time. During the 18th and 19th centuries, many evangelicals rejected universalism, even as it began to gain traction among liberal Protestants. Yet for the last half-century, universalism has been subtly reshaping North American evangelicalism, to the alarm of many evangelical leaders. As early as 1965, the theologian J. I. Packer warned that many evangelicals had “slipped into the practice of living and behaving as if universalism were true,” even though those same functional universalists would never declare a doctrinal commitment to universal salvation. Two decades later, the sociologist James Davison Hunter detected a creeping liberalism in evangelical thought. “There is a pervasive uneasiness both about the nature of hell and about who is relegated to it,” he wrote. “It is an uneasiness which may portend a greater cultural accommodation.” “Love Wins” can be read as a fulfillment of Hunter’s observation.
Reading that previously "evangelicals rejected universalism, even as it began to gain traction among liberal Protestants," and that "for the last half-century, universalism has been subtly reshaping North American evangelicalism," you might think there's been an upward trajectory for universalism, but only because there's a missing part of the story.

Universalist belief was a particular denominational affiliation—and an important one—in 19th century America, like being a Methodist or a Baptist.  There's a collection of historical universalist denominational documents here.  But universalism is no longer the independent force in organized religion it was in the 19th century.  The denominational body that universalists organized long ago merged into the Unitarian Universalist Association of Congregations and ceased to be either Christian or universalist in theology. Part of what that means is that some of the evangelical warnings were correct. When you endorse universalism, moving away from the doctrine of historical orthodoxy and the Bible, you predictably start sliding away from Christianity in general.

P.S. One could read the essay and think Rob Bell started getting blow-back for his beliefs when the promotion for his book began, but that started years ago.  In fact, I'd be unsurprised if controversy over his views is part of what made his book attractive to his publishers at HarperOne in the first place.

P.P.S. This essay was much more of an essay than the one they printed a few weeks back on Green's Dictionary of Slang, which was really more of a review. The essay is important and we need our publications to preserve the places available for it.

Monday, April 04, 2011

Touch Me Not

This post goes in a number of different—though related—directions. It's somewhat rough, but... well here you go:

Dicit ei Iesus: Noli me tangere, nondum enim ascendi ad Patrem meum: vade autem ad fratres meos, et dic eis: Ascendo ad Patrem meum, et Patrem vestrum, Deum meum, et Deum vestrum.Jesus saith to her: Do not touch me, for I am not yet ascended to my Father. But go to my brethren, and say to them: I ascend to my Father and to your Father, to my God and your God. (John 20:17)

I've been reading José Rizal's novel Noli Me Tangere, an indictment of colonial (and clerical) rule in the Phillipines.   (There was a hiatus due to losing it on the train and having to repurchase it.)  Described, reasonably, by Penguin's editorial material as an anticlerical novel, I'm struck by the irony of an anticlerical novel that takes its title from the Gospel of John.

Once you've allowed clericalism to define the terms of the debate, even to be anti-clerical is to participate in the religion based culture on which anti-clericalism is parasitic.  In a truly secular society, anti-clericalism is nonsensical.

I'm also reading Patrick W. Carey's fascinating biography, Orestes A. Brownson: American Religious Weathervane. In Carey's discussion of Brownson's reading of French writers, particularly the Saint-Simonians.
With the exception of [Henri-Benjamin] Constant [de Rebecque], who perceived religion primarily as religious sentiment (a view that was vigorously criticized by the Saint-Simonians), most of the other French writers understood religion or Christianity in its historical and social dimensions, and they all, even Constant, understood the significant role religious institutions had played in history and would continue to play in the post-Revolutionary world of early nineteenth-century France. These writers had what André Siegfried called "the ineradicably catholic habit of the French mind." Even when the French writers were anti-clerical or anti-Catholic, they were catholic in outlook because they could not separate religion from politics, history, or society.
Even when they're anti-clerical, the clerical/non-clerical distinction pervades their thinking.  This is in some ways similar to Émile Durkheim's sacred/profane distinction.  The sacred is that which is set apart or forbidden (as clerics are).  In Durkheim's model of how religion works, making this distinction is the fundamental characteristic of religion.  But the sacred (in Durkheim's understanding) is not necessarily good, it can also be evil.  Interestingly then, an anti-clerical view shares the same sacred/profane split as a clerical view, but reverses the polarity of how it views whether the sacred things in question (clerics) are good or evil.  Of course, since Durkheim is French, his views about religion may be a result of being immersed in the clerical/anti-clerical world-view.

I came across something similar in Muriel Barbery's The Elegance of the Hedgehog. Parts of that novel are intense indictments of trends in philosophy (e.g. phenomenology).  One of the main characters presents herself as being anti-philosophical.  But, just as the anti-clerical view is parasitic on the clerical view, when you attack philosophy in the way the book does, you accidentally find yourself doing philosophy as you try to explain why this or that philosophy is nonsensical.

At left: a detail of the painting "Noli Me Tangere" by Hans Holbein the Younger, which appears to feature Karate Jesus.

Sunday, April 03, 2011

"New York's Most Obnoxious Prophets"

"Black Israelites" preaching in my neighborhood in Queens.
The Village Voice has an article about Black Israelites in their most recent issue.  It's not a great article, full of quirky detail in the alt-weekly way and light on theology, but the writer got good access to one of the Black Israelite groups.

Thursday, March 31, 2011

A Hero of Our Time?

I've recently finished reading Mikhail Lermontov's A Hero of Our Time in the lovely Hesperus Press edition.  The book is a nice size, with easy-to-read type and a durable paperback format, with a fold-over outer cover.

I can't judge the fidelity to the Russian of the translation by Hugh Aplin, but it reads well in English. In an interview with Ready, Steady, Book, Aplin calls A Hero of Our Time, "right up there at the top of my list of favourites," and it shows.

Lermontov seems to me to be somewhat the anti-Jane Austen.  His hero (better anti-hero) is male, rather than female; Russian, rather than English; and so despicable that the respectable reader roots against him, rather than for him. But the social settings and the concerns and preoccupations of the characters are mutatis mutandis quite similar: the capital and the provinces, imperial adventures, military officers, affairs of the heart, engagements, marriage prospects, and the gambling tables.  The spa city of Pyatigorsk strongly recalls Bath, the setting for Northanger Abbey and Persuasion.

For more about Jane Austen and Bath, click on this handy reference card:


One question that presents itself: is Lermontov's anti-hero, Pechorin--ironically labeled by the title "A Hero of Our Time" also--and still ironically--a hero of our own time?  His obsessions—sex, wealth, social status—are certainly not that different from the obsessions of our time.  Neither are the conditions of his society—social stratification, endless military conflict, youth in search of excitement.

But if he's a "hero" of Lermontov's time and of our own time, is he perhaps a "hero" for all times?  Should we suppose that any time is all that different from any other?  After all, "Nothing under the sun is new, neither is any man able to say: Behold this is new: for it hath already gone before in the ages that were before us." (Ecclesiastes 1:10)

Monday, March 28, 2011

Slavonic, Slavonic, more Slavonic

Saturday, I ended up, by mistake, at St. Nicholas Cathedral on 97th street. By mistake, because I was aiming for the other Russian Orthodox Cathedral, the Synodal Cathedral of Our Lady of the Sign, where I wanted to hear the choir again.  I'd heard them a little over a year ago when the relic of the head of St. John Chrysostom visited from Moscow.

The head of St. John Chrysostom (more photos)
But mixed up the names of the two cathedrals and ended up at the wrong one. I stayed for the Vigil anyways.  Their choir isn't as good as I remember the one at the Synodal Cathedral being, but the Church is one of the most beautiful in Manhattan.

Photo part of a set of the Cathedral by Flickr user Chad Husby
The photo doesn't really do it justice, though part of that is that I visited at dusk.  In the dark Church, the Bishop had the sparkliest miter   This was two hours of solid Church Slavonic, of which I know about 5 words.  Fortunately, the words I know, like "Gospodi, pomiluj" (Lord, have mercy), are repeated often.  People think Latin is a challenge!  I suppose it'd be easier if I had a foundation in Russian.

Saturday, March 26, 2011

To the Gates of the Fukushima Daiichi Power Station


The Independent is not the world's greatest newspaper. It's the home of Robert Fisk (who inspired the internet term "fisking"). But, credit where credit is due, they've published an excellent article from Japan. Reporter Daniel Howden travels all the way to the gates of the Fukushima Daiichi Power Station.

Via Jonah's radiation guy, World's Only Rational Man.

Reformed Ex-Felon or Arminian Ex-Felon?

I can't tell if the New York Times is making a theology joke or not with their headline: "A Reformed Ex-Felon in Trouble Once Again". The article is about Barry Minkow who
has made many names for himself: as a boy-wonder entrepreneur, as a Ponzi schemer who served seven years in prison and then reinvented himself as a fraud-detection specialist, government informant and pastor.

His life took another turn when he was charged Thursday with conspiracy to commit securities fraud against the Lennar Corporation, one of the nation’s largest home builders.
The two churches where he was a pastor, the Community Bible Church of San Diego and The Church at Rocky Peak both have statements of belief on their web sites, but they're too sketchy for me to be able to tell if they are Reformed (which in today's Evangelical argot usually means Calvinist), or Arminian, or something else.

Here's an article from the Baptist Press with some background on the revival (so to speak) of Calvinism in the Southern Baptist Convention and the debate over whether it's a blessing or a scourge.

But even though the Times covered the Calvinist revival a bit in their 2009 Mark Driscoll article, I'm guessing there really isn't a wink from the copy editor in the Minkow headline after all.

If you're wondering where Catholics stand on these issues, I recommend (as I have before), James Akin's article "A Tiptoe Through TULIP".

Friday, March 25, 2011

Berlitz Breakup

I've been brushing up a bit on my German.

The book German Step-by-Step professes to offer "a vocabulary of 2,600 words chosen especially for their frequency of use." It has a relentlessly chipper tone:
With GERMAN STEP-BY-STEP [sic], accent and pronunciation problems are solved forever. There will be no need to fear appearing gauche before a waiter or salesperson, no terror at buying a train ticket or sending back a steak cooked rare instead of medium. You will discover the music and rhythym of language as spoken by those born into the culture and tradition of a nation.
So I was somewhat shocked by this example conversation in the section on when to use the familiar "du" form for "you". It goes south fast:
Verliebte gebrauchen auch die Du-Form.
Lovers also use the "you" (familiar) form.

SIE:
Liebst du mich?
Do you love me?

ER:
Ja, mein Schatz.
Yes, my treasure.

Ich liebe dich sehr.
I love you very much.

SIE:
Für immer?
Forever?

ER:
Wer weiß? Wer kann das sagen?
Who knows? Who can say that?

SIE:
Warum sagst du — „Wer weiß?"
Why do you say — "Who knows?"

Du bist ekelhaft!
You are horrible!

Ich hasse dich!
I hate you!
Next time they talk, they may have to switch from "du" back to "Sie".

Wednesday, March 23, 2011

The Illusionist

I saw The Illusionist Sunday.

My companions didn't like it at all. But really, see this movie for the beautiful visuals and the friendly humor.  Though neither of those things comes across exceptionally well in the trailer below. It's a stunningly picturesque depiction of Scotland, as well as a homage to the then (1950's) vanishing and now vanished world of vaudeville. Like most animation, if you see it, you should do so on as big a screen as you can find.



Seeing this movie on Sunday was the breaking of my resolution to shift money from my movie budget to my book budget (after I spent more than I planned on books on Saturday). But my companions had between them seen almost every other non-obscene movie playing in Midtown and besides the MPAA was warning that the film contained smoking, which is often a good sign (e.g. Thank You For Smoking or Goodnight, and Good Luck).

There's apparently a big scandal about how and whether the "shooting" script and the final film with its publicity materials departs from the original script and does or does work as an apologia (and/or apology and/or apology) for screenwriter Jacques Tati's behaviour towards his illegitimate daughter and/or his younger daughter. (That's a confusing sentence, but the dispute is very much an unsettled one.)

I came to the movie without knowing about all this controversy.  There's some further confusion about the plot, probably partly because the style of the film is to have very little dialog and what little there is is mumbled and often in French or Gaelic. According to the publicity materials:
THE ILLUSIONIST is a story about two paths that cross. An outdated, aging magician, forced to wander from country to country, city to city and station to station in search of a stage to perform his act meets a young girl at the start of her life's journey. Alice is a teenage girl with all her capacity for childish wonder still intact. She plays at being a woman without realizing the day to stop pretending is fast approaching. She doesn't know yet that she loves The Illusionist like she would a father; he already knows that he loves her as he would a daughter. Their destinies will collide, but nothing – not even magic or the power of illusion– can stop the voyage of discovery.
But Roger Ebert read the plot somewhat differently:
The story involves a magician named Tatischeff [Tati's full last name--SJH] who fails in one music hall after another and ends up in Scotland, where at last he finds one fan: A young woman who idealizes him, moves in with him, tends to him, cooks and cleans, and would probably offer sex if he didn’t abstemiously sleep on the couch.
Well, I can see why the family is upset about that movie if it's also about Tati's relationship with his daughters.  I thought of all the controversy when I read Jennifer Reeser's poem "Despair" in this month's First Things. While the poem is in the 2nd person and I can separate the authorial voice from the author, I'd feel awkward to be her daughter right about now.

Tuesday, March 22, 2011

Saturday in New York (Not the Fourth of July)

Down at St. Michael’s, the Russian Catholic (they might say Russian Orthodox in union with Rome) Church in SoHo, they don’t give up “Alleluia” for Lent—at least during vespers.

After the service ended, I headed a couple blocks down and across Mulberry Street to McNally Jackson Books, an independent bookstore, where I bought three books and left resolving (pace Walker Percy) to go to the movies less frequently to make up for the extravagance. I’ve gotten better at going to the library, but am not any better at returning the books on time. The price advantage over buying books slips away with my impressive ability to rack up late fees. (I'm so good at racking up that I could get a job as a set dresser on The Hustler.)

But returning to the checkout counter at McNally Jackson: the clerk ventured that I had made three fine choices. Flattery will get you everywhere, sir! Truly, I’ve lost his exact words, but they left the impression that it was more than just a case of “The customer is always right.”

It helped though that two of the three were from their recommended picks table, though in one case that was just a coincidence. They were recommending the collected poems of Elizabeth Bishop, which I was coincidentally seeking out. The latest New Criterion reviews an exhibit of the poet’s paintings at James S. Jaffe Rare Books, so I was looking to refamilarize myself before heading up to see them, maybe this weekend.

We read through Geography III in high school. Poems, as the collected works is called, fell open to one of the verses originally collected in Geography III:
In the Waiting Room
In Worcester, Massachusetts,
I went with Aunt Consuelo
to keep her dentist's appointment
and sat and waited for her
in the dentist's waiting room.
It was winter. It got dark
early. The waiting room
was full of grown-up people,
arctics and overcoats,
lamps and magazines.
My aunt was inside
what seemed like a long time
and while I waited and read
the National Geographic
(I could read) and carefully
studied the photographs:
the inside of a volcano,
black, and full of ashes;
then it was spilling over
in rivulets of fire.
...
I love this poem, because it recalls for me so strongly an experience that was part of my childhood, the early darkness of winter afternoons in New England.

The clerk wanted me to know that Poems is part of a publishing project from FSG that also includes a Elizabeth Bishop and The New Yorker: The Complete Correspondence—the power of the independent bookstore with clerks who are encouraged to be knowledgeable about books and urged to sell them intelligently. Amazon.com, actually suggests the same thing, but a visit to a brick and mortar Barnes and Noble wouldn't have.  That book is going on the long-term reading list, the scales tipped for the reason the clerk suggested, insight into the editorial workings of the New Yorker during the years Bishop published there.

Not from the recommendation table was another copy of Noli Me Tangere. I’m on about page eighty and my copy disappeared a week ago into the maw of the LIRR. I’d previously tried to replace it at the Strand, but, if you go to the Strand looking for something in particular, you’re not all that likely to find it, though you may go home with three or four other unrelated things.

But I haven't made any more progress through Noli, because I've been distracted by the other book I bought from the recommendation table: The Long Ships by Frans G. Bengtsson.  Michael Chabon's charming introduction was also published in The Paris Review. Their staff picks pushes a metaphor way to hard in describing the book. I can go with calling it a Viking Hustle and Flow, but Peter Conroy sums up, "After all, it's hard out here for a thane." Ouch.  The new paperback edition from New York Review Books Classics.

After my book binge, I had dinner at Two Boots, something I've somehow managed to miss in my (wow, as of last month, now six years) living in New York City.  Their pizza has a cornmeal dusted crust, which I actually like, but they're much too fond of putting chicken on pizza, something I find entirely inexplicable.  In fact, that and their "funky" decor were probably the two reasons I hadn't eaten at one of their branches already.  But, they manage to serve tasty pizza by the slice that is actually hot, a common failing, so I expect I'll be back again.

The books over movies resolution lasted only slightly more than 24 hours, as a forthcoming post about Sunday will recount.

Saturday, March 19, 2011

Rudolf Buchbinder Votes Against "Authenticity" Before He Votes For It

Stuart Isacoff profiles Viennese pianist Rudolf Buchbinder in Thursday's Wall Street Journal. The article's pull quote was the bolded part of this paragraph:
But fitting together, in Mr. Buchbinder's view, never means compromising a personal vision. "When you grow up in Vienna," he explains, "you feel lucky, because you believe you are in the musical center of the world—the home of Haydn, Mozart and Beethoven. Yet the only reason this music is still alive after hundreds of years is that there is no such thing as 'an authentic' interpretation. If there were, the music would be dead. Take a sample of recordings of Beethoven's Fifth Symphony by 10 conductors, and they will all be different. You can't say there is one right way."
Fair enough, but this later paragraph puts a different spin on things:
... Mr. Buchbinder also likes to play music by George Gershwin, though he won't play the "Rhapsody in Blue" with orchestra, because the composer didn't write it for those forces.
Wait. So there's no such thing as authenticity, but he won't play an orchestra arrangement of Rhapsody in Blue, because Gershwin didn't write it for those forces. That seems like a concern about authenticity to me or something very close to it.

What Students Should Learn in College

This is a finished version of a post first drafted in 2005.  On the way are posts about some of the books I've been reading this month.

K. Anthony Appiah in Slate on what students should learn in college:
I've been on committees at a couple of great universities charged with the task and, putting aside the political difficulties (which I guess you can do, if you have a magic wand) you come to see it's one of those problems you can't solve, only manage. Here's the basic dilemma: If you say that a general education should teach you all the stuff worth knowing, there's far too much to fit around a major in a four-year education. If you say, on the other hand, that it should teach you only the essentials, there's too little. You can live a perfectly decent life with what you have to know just to get out of high school; indeed, many people do.
That dilemma is why you can't put aside the political and, more broadly, the philosophical.  Prof. Appiah has settled on a combined platform of equipping students with mathematical tools to participate in the policy debates of society and also broadening them beyond a parochially national perspective.  Call it technocratic cosmopolitanism.  Dude, at least it's an ethos.

But, it is an ethos.  This is a solution to a philosophical problem.   Assuming the purpose of teaching is to improve students' lives, answering the question, "What should a university teach?" requires answering the question, "What is the good life?" or "How shall we live?"  When we seek to answer that question in a communal context, like a university, and act on our answer, we're also engaging in politics.

But seeking to set aside the political, which in our society almost always involves setting aside normative philosophical judgments, prevents us from judging the solution in the proper context.

Some colleges judge knowledge of the Bible to be more important than courses in statistics or a junior year abroad.  If he hadn't set aside the political and, by implication, normative philosophical considerations, Prof. Appiah might be able to persuade them.

Bonus Big Lebowski/Walter Sobchak/Slate content: "Walter Sobchak, Neocon: The prescient politics of The Big Lebowski".

Friday, March 18, 2011

The Melodica

There was a melodica player on the subway last night.

The melodica has all the irritation of the accordion with none of the charm.

But check out James Howard Young's multi-tracked melodica project:



For all your melodica needs, Melodicas.com appears to be pretty comprehensive.

Thursday, March 17, 2011

St. Patrick's Day

“Ut Christiani ita et Romani sitis.”

“As you are children of Christ, so be you children of Rome.”

Ex Dictis S. Patricii, Book of Armagh, fol. 9

The County Mayo Association with a statue of Our Lady of Knock at the 2010 Philadelphia St. Patrick's Parade (Photo by Jeff Meade from Flickr under a Creative Commons Attribution License)

Wednesday, March 16, 2011

Does the Phil Care About Selling New Music?

I got a marketing e-mail today from the New York Philharmonic pitching the 2011-2012 season.


Since taking the podium at the New York Philharmonic, Alan Gilbert has been noted for his promotion of new music (or at least "newer" music). The Times (of London) wrote in January 2010:
For the moment, however, Gilbert resembles a more controversial figure in the orchestra’s past. Pierre Boulez enjoyed confronting the world’s most conservative audiences with the world’s most modern music, resulting in a string of critical successes and box-office failures. Since then new music has been kept at arm’s length. Until now.

“New music wasn’t presented in the best possible light in the past,” Gilbert admits. “It wasn’t clear why the orchestra was playing it or whether the orchestra really believed in it.”

The “Boléro effect”, as he calls it, which says that if you put a piece such as Ravel’s Boléro at the end of a programme you can slip anything else in earlier in the evening, was all too common. “You may be able to get people to buy tickets this way, but the clear message it sends out is that we don’t really believe in this,” he says. “It says: ‘Deal with it and we’ll get on to the fun stuff later.’ That is not a message we believe in.”
Which brings us back to the marketing e-mail. It leaves me with the impression that the new music is backed with something less than the full faith and credit of the New York Philharmonic. The Phil's Phlacks write:
The new 2011-12 season of Alan Gilbert and the New York Philharmonic has been announced! It is no less than a feast of musical masterpieces — three Mahler symphonies, a festival of Beethoven symphonies, Mozart’s Mass in C minor, and much more — plus exciting premieres from the composers of today.
If new music is important, it's important enough to give us a name. "Exciting premieres"? This breaks the basic rule of writing: Show don't tell. Who are these exciting new composers? The copy doesn't persuade me. If the composers' names aren't worthy to stand alongside Mahler, Beethoven, and Mozart in the marketing e-mail—not as equals necessarily, but at least with a second billing that mentions their names—why should we be excited about them?

As for myself, I'm hoping to hear them do Leos Janácek's The Cunning Little Vixen in June.

Tuesday, March 15, 2011

America's Newspaper of Record


...that's the New York Post, for those of you not up on your John Derbyshire sobriquets.

Here's a couple recent oddities from its hallowed Hamiltonian pages.

Today's Classroom Extra (no link) is a short biography of Albert Einstein. Suggested classroom activities include, "Write a report explaining Einstein's theory of relativity." I'm sure the kids will get right on that!

Last Week's Post included Page Six Magazine featured an article, "When Preppy Weds Hippie". If I told you the article was about Lauren Bush, Princeton graduate, granddaughter and niece of presidents, product of a high school the local Chronicle called "one of Houston's most exclusive prep schools", you'd probably ask, "So who's the hippy?"

But no, she's the hippy. The prep is David Lauren, son of the Polo Ralph Lauren founder.

There's a whole discussion to be had about whether Polo Ralph Lauren is really preppy or is just an appropriation of a culture or even a parody. But, we'll leave that as an exercise for the reader.

Saturday, March 12, 2011

Not exactly...

Fr. Thomas Kocik wrote a post recently on the New Liturgical Movement about a proposed audio-book style version of the Latin Nova Vulgata.

This strikes me as an odd and not particularly useful project in this post-Summorum Pontificum world.
Vatican Press, in partnership with Faith Comes By Hearing (a non-profit, donor-driven, interdenominational ministry committed to the mission of reaching poor and illiterate people worldwide with the Word of God in audio), is preparing to record the Latin edition of the New Testament, the Neo-Vulgate,
A Latin edition. More on this below.
for use in Catholic seminaries, parishes, and personal individual study worldwide. The Neo-Vulgate is currently the official or "typical" Latin edition published by the Catholic Church for use in the Roman Rite. As the first vernacular translation of the Bible, it is only fitting that it be among the languages in which Faith Comes By Hearing makes Sacred Scripture available in audio using the rendering of the translator, St. Jerome (342–420 A.D.).
What? Jerome did two translations of the Bible into Latin. The Neo-Vulgate is not either of them. It's a new edition. Hence the "neo" or "nova" in the name.
It will also be available for free download onto technology devices for academic and devotional use.
Those of us who are regularly worshiping in Latin and studying the Latin scriptures for that purpose are overwhelmingly not using the Nova Vulgata, but the 1962 missal versions. Serious academics working on Biblical studies are only using the Latin (they use the Greek and the Hebrew) if they are doing specialized historical studies on previous interpretation (e.g. editions of sermons written by those who used the Vulgate). But they're not using the Nova Vulgata for these studies either.
The Latin Vulgate is the substratum for the prayers of the Roman liturgy and offers the spiritual milieu for it. I ask you to consider giving this worthwhile project your prayerful and financial support. To hear, as well as to read, the Holy Scriptures in Latin – the first language into which the original Hebrew and Greek were translated – would be a fine source for reinforcement of biblically grounded faith and cultural enrichment.
There's a historical error here too.  The first language into which the original Hebrew of the Torah was translated wasn't Latin, but Aramaic and then later the Greek Septuagint.

Friday, March 11, 2011

A Life at the Track is built from Days at the Races


I've just finished reading Ted McClelland's Horseplayers: Life at the Track.

I live right near Aqueduct, though I've never made it out there, but I have been to the summer meet at Saratoga once.

The book is well done, but it betrays its origins as an edited and reworked version of newspaper columns (even though he had a book contract already while the columns were being written.) The profiles of the people he meets at the track don't go as deep as you might like: newspaper column depth rather than magazine column or book depth. The same book suffers from the same difficulty as a memoir or as participatory journalism, never digging as deep into the authors psyche as a book like Ted Conover's Newjack: Guarding Sing Sing. Of course, Newjack wasn't Conover's first rodeo as Horseplayers seems to be for McClelland. I'll be keeping an eye out for a sophmore effort.

I discovered the helpful glossary at the back only when I had finished the book, but there was still no entry there for exacta! (I used the internet to look it up.)

One more thing about reading Horseplayers: a little more knowledge about handicapping gives me a sharper appreciation for this bit from A Day at the Races:


Thursday, March 10, 2011

So Good It's Bad


Dana Stevens writes in Slate about Love Guru:
There are good movies. There are bad movies. There are movies so bad they're good (though, strangely, not the reverse).
I'm not so sure this is true.  Basically, the point here is that there multiple meanings for the words "good" and "bad".

But given this fact, aren't there all sorts of movies so "good" they're bad? Think, for instance of "morally improving" movies.  Pauline Kael has an interesting comment about this in Afterglow: A Last Conversation With Pauline Kael:
[T]hey thought I was awful for panning the kind of movies I panned, the earnest movies, what's now called the independent film—the movies that have few aesthetic dimensions but are moral and have lessons and all. There was a great deal of sentiment for that kind of movie at The New Yorker, and from its readers. This was, after all, in the sixties and seventies, and New York was still full of a lot of refugees from Hitler, and they took movies very seriously, and morally. And my frivolous tone really bugged them. ...

Today, there's so much more of a feeling for films as aesthetic objects rather than as morally improving objects. But I was writing for a magazine that stood for moral improvement—New Yorker editorials during my years there could be so abstractly moralizing. There were things there that were so at odds with what I was doing that it amazes me that I lasted.
That captures the point, I think. A certain kind of moral movie could be called "so good it's bad."

I'm not sure if Kael intended to contrast taking movies seriously with appreciating them as aesthetic objects. Can't we take seriously aesthetic objects, even if they don't have "messages" attached? It's also interesting to think about how the "independent" label has broadened since Kael said this. Certainly today, plenty of what are called independent films are aesthetically focused, rather than message films. I'm not sure this wasn't even the case when Kael wrote the above.

This post was started in 2008, I don't run around the 'net searching for reviews of bad old Mike Myers movies, but I did want to clean up some of the drafts still lingering on Blogger. Finishing up this post makes me miss my former coworker and friend CeOtis Robinson, who definitely would have loved discussing this question.

Tuesday, March 08, 2011

Essays About Latin

Professor Emeritus William Harris of Middlebury college has a great collection of essays on studying, translating and appreciating Latin.

How Many Roman Missals Do We Need?

Responding to a post on the NLM about Midwest Theological Forum's plans to publish an edition of the new English Missal, Fr. Franklyn McAfee commented:
I hope they also will do an edition of the Missale Romanum (1962).
This got me thinking. Between the Benzinger reprint from PCP and the Vatican edition we're pretty well situated for 1962 Missals at this point, if perhaps not so well situated that another edition wouldn't be a good thing.

And anyways, what's the harm in another edition? Actually, there is a downside: economies of scale.  The balance on the 1962 Missal might still tilt towards additional editions.  I'm not as convinced that we need as many editions of the new missal as have already been announced.

While I'm glad we have other art choices than those of the Liturgical Press edition, is the difference between the Midwest Theological Forum edition and the Magnificat edition going to be worth the increased price of both missals?

Now, is there anything we can do about this? Unless we're liturgical publishers, probably not. Centralized control probably wouldn't work any better. But liturgical publishers should try to make sure they're offering something different from what the competition is offering and not just multiplying their offerings uselessly and wasting everyone's money and time.  Newman House Press apparently has plans for a Latin/English Missale parvum, which sounds interesting.

Saturday, February 26, 2011

Ollie's Noodle Shop &c.

I'd been jonesing for some roast pork and won-ton soup for a couple weeks. So I head over to Ollie's Noodle Shop near Lincoln Center.

The food was it's usual tasty, but not haute self. But I love the scenery of eating there, that is the other diners.  Most of the time, this is compounded by your being packed in nearly check to jowl with them.

On a previous trip, Skipp Sudduth (of Third Watch and who I saw in South Pacific) was at the next table.

Tonight, well it's hard to explain. I was sitting next to two teenage boys who were talking about (among other things):

  • Whether they could whistle/raise one eyebrow/roll their tongues/and a long list of other "genetic abilities"
  • Whether women could make them laugh (one said yes, the other said no)
  • Why girls did or didn't like them
  • How one guy's father always talked to him like he was the audience for his father's podcast!
Hmm, I'm not sure it comes across on the page. (The screen?) But it was all I could do to keep my head in my newspaper and not stare and laugh.

It's the first time I've been up here since the Lincoln Center Barnes and Noble closed.  R.I.P.  Also, the 7 o'clock showing of Of Gods and Men at the Lincoln Plaza Theatre was sold out an hour before showtime, which augers well for the prospects of the film.  America needs more monastic witness.

As I walked by the Mormon Temple up there, I peeked in the glass at the side of the doors.  I'd walked by before, but never thought to do that!  You could see the folks walking around inside in their all white temple garb.  The aforementioned Barnes and Noble had a huge section on Mormonism, which puzzled me until I spotted the (relatively understated) temple across the street.

Saturday, January 15, 2011

The Big Fear

David has the Big Fear. It doesn’t take a cabdriver too long to realize that once you leave the joy of shape-up and start uptown on Hudson Street, you’re fair game. You’re at the mercy of the Fear Variables, which are (not necessarily in order): the traffic, which will be in your way; the other cabdrivers, who want to take your business; the police, who want to give you tickets; the people in your cab, lunatics who will peck you with nudges and dent you with knives; and your car, which is capable of killing you at any time. Throw in your bosses and the back inspectors and you begin to realize that a good night is not when you make a living wage. That’s a great night. A good night is when you survive to tell your stories at tomorrow’s shape-up. But all the Fear Variables are garbage compared with the Big Fear. The Big Fear is that times will get so hard that you’ll have to drive five or six nights a week instead of three. The Big Fear is that your play, the one that’s only one draft away from a possible show-case will stay in your drawer. The Big Fear is thinking about all the poor stiff civil servants who have been sorting letters at the post office every since the last Depression and all the great plays they could have produced. The Big Fear is that, after twenty years of schooling, they’ll put you on the day shift. The Big Fear is you’re becoming a cabdriver.
Mark Jacobson, New York Magazine, Sept. 22, 1975

Saturday, January 01, 2011

Christmas Trees Still Selling

Obviously, it's a mistake to still have a big stock left over, but a Christmas tree seller in Queens discovered a new market for after December 25 (Gregorian), the Russian Orthodox!
The trees are still, slowly selling — Mr. Choi sold two on Wednesday to some customers who were Russian Orthodox and celebrating Christmas on Jan. 7. But really, Mr. Choi said he was trying to figure out how to dispose of them. He said he did not gauge the economy correctly and would be more careful next year.

Thursday, December 30, 2010

Give 'Em The Pickle!



Starbucks is doing its job "giving the pickle" tonight. The guy ahead of me in line got a tall cappuccino with a cup of whipped cream on the side. Then when he got his drink he asked for whipped cream on top. They didn't charge him extra for any of it.

Mmmm... pickles and whipped cream.

Friday, December 17, 2010

Overheard

Earlier this week, when we had gotten the first snow of the year that "stuck," I heard a teen girl say to her friend, "I hate snow. It's so boring." Well, here in New York, where most people don't drive, it's probably true that the visual effect is more heightened and the excitement of trying to stay on the road is less critical.

Thursday, December 16, 2010

Scene: a Deli in Jamaica, N.Y.


Interior, Night
Sam: Do you have toothbrushes.
Counterman: Yes.
puts hot pink toothbrush on counter
Sam: Do you perhaps have a different color
Counterman: Sure, how's this one.
puts yellow toothbrush on counter
Sam: Thanks, that's slightly more manly.
fade out

Tuesday, December 14, 2010

Why You Can't Wear Dress Boots

From Esquire:
Could you recommend some winter dress boots that are stylish and waterproof?

No, Jeremy, I will not recommend you a dress boot. Because you are not Errol Flynn and this is not the Spanish Main. What you need is a practical pair of rubber Wellingtons, which allow you to march to work through slush ponds without so much as breaking stride.
However, if you are friends with Errol Flynn, you can wear a monocle and roll your r's while singing Garry Owen.

Saturday, December 11, 2010

Actually, They're Not In the Opera

The New York Times article on the opening night at La Scala featured this terrific picture of Italian police officers.  No, they're not in the opera, they're "[a] horse patrol facing hundreds of protesters in front of La Scala on Tuesday, opening night."  The cops over there certainly know how to dress. There were other officers on hand with more practical riot gear.

Sunday, December 05, 2010

A Very New York Conversation

Buying pseudoephedrine at the drug store, the clerk asks not "Can I see your driver's license?" like they do most places, but "Can I see your state ID or driver's license?"

Saturday, December 04, 2010

A Different Spin on "Keeping Christ in 'Christmas'"

The Christmas season is a great time to think about those who do not have Christ. As I've been decorating my tree and listening to Christmas music, I think of what a colossal letdown Christmas must be for those who don't have Christ as the center of their celebration.

I mean, how long can you sustain excitement about shopping, food, decorations, gifts and parties? Come January, all those things are gone, and in their place are bills, trash, gift receipts and a 5-10 pound weight gain.
Lisa Anderson writing in the Boundless Update from Focus on the Family

Tuesday, November 30, 2010

"Distrahit animum librorum multitudo." --Seneca

"I had nearly five thousand volumes in my library at Rome; but after reading them over many times, I found out that with one hundred and fifty well-chosen books a man possesses, if not a complete summary of all human knowledge, at least all that a man need really know. I devoted three years of my life to reading and studying these one hundred and fifty volumes, till I knew them nearly by heart; so that since I have been in prison, a very slight effort of memory has enabled me to recall their contents as readily as though the pages were open before me. I could recite you the whole of Thucydides, Xenophon, Plutarch, Titus Livius, Tacitus, Strada, Jornandes, Dante, Montaigne, Shakespeare, Spinoza, Machiavelli, and Bossuet. I name only the most important."
The Count of Monte Christo by Alexandre Dumas, père

Friday, November 19, 2010

Gilson: Latin Liturgy and Philosophical Education

From Etienne Gilson's The Philosopher and Theology, published 1962:
Latin is the language of the Church. The sorry degradation of the liturgical texts by their translation into a gradually deteriorating vernacular emphasizes the need for the preservation of a sacred language whose very immutability protects the liturgy against the decay of taste. As his education is thus proceeding in keeping with the spirit of his own tradition, the young Christian imperceptibly becomes familiar with a Latin philosophical terminology (almost entirely Greek in its origin) embedded in the formulas of Christian dogmas. Liturgy itself forces this terminology upon his attention and fixes it in his memory, since he not only hears this language but also speaks it and sings it. Liturgical music permeates the meaning of the words so thoroughly that, thirty-odd years later, he will only have to sing the Preface to himself in order to recall the words: Non in unius singularitate personae, sed in unius Trinitate subsstantiae . . . et in personis proprietas, et in essentia unitas. . . . No mind can ascribe a meaning to such formulas without assimilating something of the philosophical notions they convey. In the liturgy itself, such words as substance, essence, singularity, propriety, person, point out directly and primarily only the mysterious truths contained in Christian dogma. The sentences that these words constitute are not philosophical propositions. Still, even though they do not bind it to any particular philosophy, a mind that has become familiar with them early enough in life will never be able to accept a doctrine that would consider them meaningless. The Church invincibly opposes any philosophical change that would oblige her to modify the received formulation of dogma. And in this the Church is right, for any change in words would entail a change in meaning, and propositions that have for centuries stood the test of councils cannot be altered without religious truth itself being put in jeopardy.
     Thus, long before he begins studying philosophy proper, the Christian imbibes definite metaphysical notions.

Thursday, November 18, 2010

More Horseradish!

Headed to dinner at Wolfgang's Steakhouse.
"There is even a 'Wolfgang’s Steakhouse Old-Fashioned Sauce,' which is a near-exact facsimile of the famous Luger’s Steak Sauce, only it’s slightly sweeter, and contains a touch more horseradish." NY Magazine
Well that settles the question of whether I'll have steak. Remember the Great Horseradish Famine and eat it while you can!

Friday, November 12, 2010

40 years on...

Folks continue to promote the Bayside Apparitions, more than 40 years after the "seer", Veronica Lueken, claimed they began and 15 years after her death. Recently "Our Lady's revelation" that Teilhard de Chardin is in Hell has been trotted out on FaceBook. Let's listen again (via EWTN) to what the Bishop of Brooklyn declared about these apparitions in 1986.
I, the undersigned Diocesan Bishop of Brooklyn, in my role as the legitimate shepherd of this particular Church, wish to confirm the constant position of the Diocese of Brooklyn that a thorough investigation revealed that the alleged "visions of Bayside" completely lacked authenticity.

Moreover, in view of the confusion created by published reports of messages and other literature by this "Movement," I consider it my obligation to offer Christ's faithful pastoral guidance, lest their faith be endangered by "messages" and "teachings" relayed by "visionaries," which are contrary to the Faith of our Catholic Church.

Therefore, in consultation with the Congregation for the Doctrine of the Faith, I hereby declare that:

1. No credibility can be given to the so-called "apparitions" reported by Veronica Lueken and her followers.

2. The "messages" and other related propaganda contain statements which, among other things, are contrary to the teachings of the Catholic Church, undermine the legitimate authority of bishops and councils and instill doubts in the minds of the faithful, for example, by claiming that, for years, an "imposter (sic) Pope" governed the Catholic Church in place of Paul VI.

3. Those who persistently maintain that "no ecclesiastical permission is required for the publication or dissemination" of information concerning "revelations, visions or miracles," are erroneously interpreting the directives of the Holy See when they attempt to justify the publication of the propaganda literature on the "Bayside Messages."

...those publishing or disseminating this propaganda literature are acting against the judgment of legitimate Church authority.

4. Because of my concern for their spiritual welfare, members of Christ's faithful are hereby directed to refrain from participating in the "vigils" and from disseminating any propaganda related to the "Bayside apparitions." They are also discouraged from reading any such literature.

5. Anyone promoting this devotion in any way, be it by participating in the "vigils," organizing pilgrimages, publishing or disseminating the literature related to it, is contributing to the confusion which is being created in the faith of God's people, as well as encouraging them to act against the determinations made by the legitimate pastor of this particular Church (c.212, para. 1).

It remains my constant hope that all the faithful spend their time and energies in promoting devotion to our Blessed Lady, in the many forms which have been approved by the Catholic Church.

+Bishop Francis Mugavero
Bishop of Brooklyn

Thursday, November 11, 2010

The Right Honourable The Earl Russell, OM, FRS

a.k.a. Bertrand Russell, descendant of Thor.

Frank Swinnerton in The Georgian Scene:
Bertrand Russell belongs to one of the oldest aristocratic families in England, which I learn has been traced back as far as the God Thor. His grandfather, the first Earl Russell, was third son of the sixth Duke of Bedford, and Bertrand Russell himself, although it would be unbecoming in him, as a Communist, to use the title, is the third Earl.
Here's the general article on the Earls.  The image at left is of Mårten Eskil Winge's painting Thor's Battle Against the Ettins.

Tuesday, November 09, 2010

Monday, October 18, 2010

L'Osservatore Romano on the Simpsons

Homer e Bart sono cattolici


di Luca M. Possati

Pochi lo sanno, e lui fa di tutto per nasconderlo. Ma è vero: Homer J. Simpson è cattolico. E se non fu vocazione - complice un'ammaliante pinta di "Duff" - ci mancò davvero poco. Tanto che oggi il re della ciambella fritta di Springfield non esita a esclamare che "il cattolicesimo è mitico". Salvo poi ricredersi in un catartico "D'oh!".

La battuta - tratta dall'episodio "Padre, Figlio e Spirito Pratico", in cui Homer e Bart si convertono grazie all'incontro con il simpatico padre Sean - è lo spunto dell'interessante articolo I Simpson e la religione di padre Francesco Occhetta comparso nell'ultimo numero di "La Civiltà Cattolica". L'autorevole rivista dei gesuiti italiani traccia una raffinata analisi antropologica ed etica del cartoon cogliendo al contempo l'occasione - questo l'aspetto più notevole - di dare qualche consiglio pratico a genitori e figli.

È fuori discussione che la serie creata da Matt Groening ha portato nel mondo del cartone animato una rivoluzione linguistica e narrativa senza precedenti. Abbandonata la tranquillizzante distinzione tra bene e male tipica delle produzioni "a lieto fine" della Disney, Homer&Company hanno aperto un vaso di Pandora. Ne è uscita comicità surreale, satira pungente, sarcasmo sui peggiori tabù dell'American way of life e un'icona deformante delle idiosincrasie occidentali. Ma attenzione, ci sono anche altri livelli di lettura. "Ogni episodio - scrive Occhetta - dietro la satira e alle tante battute che fanno sorridere, apre temi antropologici legati al senso e alla qualità della vita" (p. 144). Temi come l'incapacità di comunicare e di riconciliarsi, l'educazione e il sistema scolastico, il matrimonio e la famiglia. E non manca la politica.

Pomo della discordia, la religione. Che dire al cospetto delle sonore ronfate di Homer durante le prediche del reverendo Lovejoy? E che dire delle perenni umiliazioni inflitte al patetico Neddy Flanders, l'evangelico ortodosso? Sottile critica o blasfemia ingiustificabile? "I Simpson - sostiene Occhetta - rimangono tra i pochi programmi tv per ragazzi in cui la fede cristiana, la religione e la domanda su Dio sono temi ricorrenti" (p. 145). La famiglia "recita le preghiere prima dei pasti e, a suo modo, crede nell'al di là" ed è lei il mezzo attraverso cui la fede viene trasmessa. La satira, invece, "più che coinvolgere le varie confessioni cristiane travolge le testimonianze e la credibilità di alcuni uomini di chiesa".

Sia chiaro, i pericoli esistono, perché "il lassismo e il disinteresse che emergono rischiano di educare ancora di più i giovani a un rapporto privatistico con Dio" (p. 146). Ma cum grano salis occorre separare l'erba buona dalla zizzania. I genitori non debbono temere di far guardare ai loro figli le avventure degli ometti in giallo. Anzi, il realismo dei testi e degli episodi "potrebbe essere l'occasione per vedere alcune puntate insieme, e per coglierne gli spunti per dialogare sulla vita familiare, scolastica, di coppia, sociale e politica" (p. 148). Nelle storie dei Simpson prevale il realismo scettico, così "le giovani generazioni di telespettatori vengono educate a non illudersi" (p. 148). La morale? Nessuna. Ma si sa, un mondo privo di facili illusioni è un mondo più umano e, forse, più cristiano.

Tuesday, August 10, 2010

File under: Preferential Option for the Awesome

A series of coincidences led to my taking another look at the Chabad-run site Askmoses.com. A couple of friends of mine are getting married this fall and, partly as a result, this question and answer by Rabbi Moshe Miller caught my eye. The questioner asked, "Why do people throw sweets at the groom [at the synagogue] on the Shabbat [Sabbath] before his wedding?
The candy throwing ritual is known as an "Aufruf."

It is customary to call up (aufruf = the Yiddish word which means to call up) the groom to the Torah on the Shabbat before the wedding. After his portion is read and he has recited the blessing after reading the Torah it is customary to sing and rejoice together with him. The congregation then throws nuts and candies at the groom as a blessing that the couple should be fruitful and have a sweet life together. (The candies are soft so no one will be injured).

I've heard it said that they pelt the young man with bags of nuts and candies so that any hard knocks due to him are already fulfilled by those who love and respect him, and even those have a sweet ending!

According to the Zohar, the blessings for the entire week emanate from the Shabbat beforehand. Furthermore, since Torah is the root of all blessings, we call up the groom to the Torah on the Shabbat before his wedding, to shower Torah-blessings on the auspicious upcoming week.

The entire ancient custom seems to be related to the statement in the Talmud [Berachot 6b] that everyone who brings joy to a groom is worthy of Torah (and this is why it is done when he is called up to the Torah).

After the services, it is customary for the family of the groom to sponsor a sumptuous Kiddush in honor of the soon-to-be-married couple.

The bride does not join the groom’s festivities because the bride and groom do not see each other for an entire week before the wedding. Instead, it is customary for the bride to have a festive gathering for her friends on this same Shabbat. This event is known as the “Shabbat Kallah,” or in Yiddish it is known as a fahrshpil.

Sephardic Jews generally do not observe the aufruf custom.

Saturday, August 07, 2010

Before Cable News

I ran across the following in the 1900 Union League Club annual report. The section of the report related to the Committee on Library and Publications reminded me that this was written during the Philippine-American War and the Second Anglo-Boer War. So what did they do before cable news? Books, serials and maps.
...your Committee unanimously resolved to return to ... expending in the purchase of new books, as distinguished from serial literature of any description, a reasonable proportion of the funds... especial reference has, of course, been had to timely publications, like books on the Philippine Islands and South Africa.

Your Committee feels that mention should here be made of the very beautiful and cartographically accurate maps of the Philippine Islands and of South Africa now posted in the Club-house, which were prepared by the War Department and sent to the Club by the courtesy of the Secretary of War; and also of the map of South African territory procured by the Committee from London. By placing a number of small flags upon these maps to indicate the location of the various troops, and by changing them from day to day, as advances or retreats are made, it has been found that the interest of club members in the different campaigns has been stimulated. This method of illustrating the progress of a war is quite general in the London clubs, but has never before to our knowledge, been used in any New York club.

Tuesday, August 03, 2010

Nelson: Priests, Popes, and Plate

The English hero [Lord Nelson] was thoroughly devoted to the established church of his nation and was a Protestant by both inclination and practice. ... He appreciated the Neapolitans' Catholicism and certainly never let religious differences interfere with his zealous diplomatic efforts to keep Naples on Britain's side in the war. He was always respectful to Catholic dignitaries and went to great lengths to ensure that they knew he would defend their Church and its role in Catholic nations. He also demonstrated tolerance in a number of small-scale ways. For instance, he willingly acceded to a request from the queen of Naples for the discharge of one of Capt. Thomas Masterman Hardy's marines, who was a Catholic priest by training, so that he could serve in her kingdom. And when in 1804 he gave gifts to the Catholic residents of the Maddalena Islands to repay their hospitality, he chose church plate (a silver crucifix and candlesticks) for the local parish, a gesture that prompted the startled parish priest to cut short a trip elsewhere so that he could thank Nelson personally. The priest even promised, in a gushy letter, ever after to offer daily vows for Nelson's long life, prosperity, and glory.

Nelson also bemoaned that the frail and unwell Pope Pius VI, whom he had often hoped would join the war against atheistic France, had been deported to Valence (where he later died). It "makes my heart bleed," Nelson lamented. When the new pope, Pius VII, returned to Rome in 1800, Nelson wrote him a congratulatory letter. He explained that he himself played a part in making the Catholic Italian states safe for the pope's return. "Holy Father," he added, "I presume to offer my most sincere congratulations on this occasion; and with most fervent wishes and prayers that your residence may be blessed with health, and every comfort this world can afford." This was no mere polite letter to a distinguished personage to praise him for good fortune. The letter had a curious religious purpose; the admiral felt compelled to tell the pope that in 1798 a priest had predicted Nelson would, by providing naval assistance, play a key role in Rome's recapture from the French. This had "turned out so exactly," Nelson said, that he felt the pope should know about the "extraordinary" consonance between the prediction and the outcome.

That return to Rome was the one that inspired the Feast and Month of the Precious Blood, as was discussed in a previous post.

Hayward was also caught up in a lengthy debate about his Master's thesis and holocaust denial. See his old web site here.

Tuesday, July 27, 2010

Crying to Heaven for Vengeance

The New York Times runs a story today, "Most Ironbound Day Laborers Report Being Cheated", based on research from Seton Hall University:
Nearly all day laborers who gather for work in the Ironbound neighborhood of Newark have had employers who have either paid them less than promised or not paid them at all ... The report found that 96 percent of the workers reported that they had experienced at least one case of wage theft. Some 88 percent reported that employers had failed to pay them overtime wages, as required by state and federal laws; 77 percent had been victims of underpayment of regular-hour wages; and 62 percent had employers who refused to pay them on at least one occasion.
These employers might want to remember that defrauding laborers of their wages is one of the four "sins that cry to heaven for vengeance":
Behold the hire of the labourers, who have reaped down your fields, which by fraud has been kept back by you, crieth: and the cry of them hath entered into the ears of the Lord of Sabaoth. (James 5:4)

Saturday, July 10, 2010

"I resolved to rise and take a turn in the garden..."

The Fellows' Garden, Lady Margaret Hall, Oxford
Philonous. Good morrow, Hylas: I did not expect to find you abroad so early.

Hylas. It is indeed something unusual; but my thoughts were so taken up with a subject I was discoursing of last night, that finding I could not sleep, I resolved to rise and take a turn in the garden.

Phil. It happened well, to let you see what innocent and agreeable pleasures you lose every morning. Can there be a pleasanter time of the day, or a more delightful season of the year? That purple sky, those wild but sweet notes of birds, the fragrant bloom upon the trees and flowers, the gentle influence of the rising sun, these and a thousand nameless beauties of nature inspire the soul with secret transports; its faculties too being at this time fresh and lively, are fit for those meditations, which the solitude of a garden and tranquillity of the morning naturally dispose us to. But I am afraid I interrupt your thoughts: for you seemed very intent on something.

Hyl. It is true, I was, and shall be obliged to you if you will permit me to go on in the same vein; not that I would by any means deprive myself of your company, for my thoughts always flow more easily in conversation with a friend, than when I am alone: but my request is, that you would suffer me to impart my reflexions to you.

Phil. With all my heart, it is what I should have requested myself if you had not prevented me.

Hyl. I was considering the odd fate of those men who have in all ages, through an affectation of being distinguished from the vulgar, or some unaccountable turn of thought, pretended either to believe nothing at all, or to believe the most extravagant things in the world. This however might be borne, if their paradoxes and scepticism did not draw after them some consequences of general disadvantage to mankind. But the mischief lieth here; that when men of less leisure see them who are supposed to have spent their whole time in the pursuits of knowledge professing an entire ignorance of all things, or advancing such notions as are repugnant to plain and commonly received principles, they will be tempted to entertain suspicions concerning the most important truths, which they had hitherto held sacred and unquestionable.

Phil. I entirely agree with you, as to the ill tendency of the affected doubts of some philosophers, and fantastical conceits of others. I am even so far gone of late in this way of thinking, that I have quitted several of the sublime notions I had got in their schools for vulgar opinions. And I give it you on my word; since this revolt from metaphysical notions to the plain dictates of nature and common sense, I find my understanding strangely enlightened, so that I can now easily comprehend a great many things which before were all mystery and riddle.

Hyl. I am glad to find there was nothing in the accounts I heard of you.

Phil. Pray, what were those?

Hyl. You were represented, in last night’s conversation, as one who maintained the most extravagant opinion that ever entered into the mind of man, to wit, that there is no such thing as material substance in the world.

Phil. That there is no such thing as what philosophers call material substance, I am seriously persuaded: but, if I were made to see anything absurd or sceptical in this, I should then have the same reason to renounce this that I imagine I have now to reject the contrary opinion.

Hyl. What I can anything be more fantastical, more repugnant to Common Sense, or a more manifest piece of Scepticism, than to believe there is no such thing as matter?

Phil. Softly, good Hylas. What if it should prove that you, who hold there is, are, by virtue of that opinion, a greater sceptic, and maintain more paradoxes and repugnances to Common Sense, than I who believe no such thing?

Hyl. You may as soon persuade me, the part is greater than the whole, as that, in order to avoid absurdity and Scepticism, I should ever be obliged to give up my opinion in this point.

Friday, July 09, 2010

Pick Your Battles

Writing on National Review Online, Abigail Thernstrom dissents from the general fury at the Justice Department over their handling of the New Black Panther Party voter intimidation case.
...it is very small potatoes. Perhaps the Panthers should have been prosecuted under section 11 (b) of the Voting Rights Act for their actions of November 2008, but the legal standards that must be met to prove voter intimidation — the charge — are very high.

In the 45 years since the act was passed, there have been a total of three successful prosecutions. The incident involved only two Panthers at a single majority-black precinct in Philadelphia. So far — after months of hearings, testimony and investigation — no one has produced actual evidence that any voters were too scared to cast their ballots. Too much overheated rhetoric filled with insinuations and unsubstantiated charges has been devoted to this case.

A number of conservatives have charged that the Philadelphia Black Panther decision demonstrates that attorneys in the Civil Rights Division have racial double standards. How many attorneys in what positions? A pervasive culture that affected the handling of this case? No direct quotations or other evidence substantiate the charge.

Thomas Perez, the assistant attorney general for civil rights, makes a perfectly plausible argument: Different lawyers read this barely litigated statutory provision differently. It happens all the time, especially when administrations change in the middle of litigation. Democrats and Republicans seldom agree on how best to enforce civil-rights statutes; this is not the first instance of a war between Left and Right within the Civil Rights Division.

...

A disaffected former Justice Department attorney has written: “We had indications that polling-place thugs were deployed elsewhere.” “Indications”? Again, evidence has yet to be offered.

Get a grip, folks. The New Black Panther Party is a lunatic fringe group that is clearly into racial theater of minor importance. It may dream of a large-scale effort to suppress voting — like the Socialist Workers Party dreams of a national campaign to demonstrate its position as the vanguard of the proletariat. But the Panthers have not realized their dream even on a small scale. This case is a one-off.

There are plenty of grounds on which to sharply criticize the attorney general — his handling of terrorism questions, just for starters — but this particular overblown attack threatens to undermine the credibility of his conservative critics. Those who are concerned about Justice Department enforcement of the Voting Rights Act should turn their attention to quite another matter, where the attorney general has been up to much more important mischief: his interpretation of the act’s core provisions.
Read the whole article at NRO.

Thursday, July 08, 2010

Video and Audio from the Met Museum

The inanity of Youtube comments is legendary, but this one is pretty high up there:
i went to see this this past weekend.. was prob the most interesting part of the whole museum..
The "this" in question? The current Picasso exhibit at the Metropolitan Museum of Art. It's a comment on Thomas Campbell and Gary Tinterow's video tour of the exhibit. There's so much at the Met. This is not the most interesting thing going on there! It's not even that special as an exhibition of Picasso's work, being a show just of works already in the Museum's collection.

On a recent visit, I found Side by Side: Oberlin’s Masterworks at the Met to be particularly fascinating. More on that in a future post, I hope.

But first, here's a bit of media from the Met's web site that I did really like. In an MP3 podcast, curator James Draper discusses Michaelangelo's "Young Archer": how it was rediscovered and how it ended up on display at the Met.

Somewhat Surprised He Stuck Around

Wow. Bill Buckley tears into Norman Mailer in his introduction to their interview in this episode of Firing Line.



This Youtube playlist has all six parts.

Friday, July 02, 2010

Why July?

Why is July 1st the Feast of the Precious Blood?

"Fr. Hunwike's Liturgical Notes" has the answer, which I had forgotten, if I ever knew it:
...surely one of the most crass examples of the Hermeneutic of Rupture incarnated in the Bugnini 'reforms' [was] ... when, with immense cynicism, the 'reformers' reduced July 1 to a feria on the flippant grounds that the Precious Blood would get a perfectly adequate 'covering' by being merely added to the title of Corpus Christi. Thus a nice piece of Pius IX liturgy disappeared: the memorial he placed on the calendar to commemorate his return to the City after the Roman Revolution of 1848. There is nothing vulgar, incidentally, about doing that sort of thing to the calendar, or, if there is, it is simply the vulgarity of an incarnational religion.
Pius IX assigned the feast to the first Sunday in July, Pius X moved it to July 1 as part of his effort to put back into use Sunday Masses of the Roman Missal that were frequent impeded.