Maugham on Beauty

From Somerset Maugham's novel Cakes and Ale:

I do not know if others are like myself, but I am conscious that I cannot contemplate beauty long. For me no poet made a falser start than Keats when he wrote the first line of Endymion. When the thing of beauty has given me the magic of its sensation my mind quickly wanders; I listen with incredulity to the persons who tell me that they can look with rapture for hours at a view or a picture. Beauty is an ecstasy; it is as simple as hunger. There is really nothing to be said about it. It is like the perfume of a rose: you can smell it and that is all: that is why the criticism of art, except in so far as it is unconcerned with beauty and therefore with art, is tiresome. All the critic can tell you with regard to Titian's Entombment of Christ, perhaps of all the pictures in the world that which has most pure beauty, is to go and look at it. What else he has to say is history, or biography, or what not. But people add other qualities to beauty—sublimity, human interest, tenderness, love—because beauty does not long content them. Beauty is perfect, and perfection (such is human nature) holds our attention but for a little while. The mathematician who after seeing Phèdre asked: "Qu'est-ce que ça prouve?" was not such a fool as he has been generally made out. No one has ever been able to explain why the Doric temple of Pæstum is more beautiful than a glass of cold beer except by bringing in considerations that have nothing to do with beauty. Beauty is a blind alley. It is a mountain peak which once reached leads nowhere. That is why in the end we find more to entrance us in El Greco than in Titian, in the incomplete achievement of Shakespeare than in the consummate success of Racine. Too much has been written about beauty. That is why I have written a little more. Beauty is that which satisfies the æsthetic instinct. But who wants to be satisfied? It is only to the dullard that enough is as good as a feast. Let us face it: beauty is a bit of a bore. (pp. 139-141)

Some Solzhenitsyn

Also from The First Circle:

Rubin could not and never did listen for long. His idea of conversation (and this was how it usually went) was to strew before his friends the intellectual booty captured by his mind. As usual, he was eager to interrupt, but Nerzhin gripped the front of his overalls with five fingers and shook him to prevent him from speaking.

(p. 39)